Home > Literature & literary studies > Literature: history & criticism > Literary studies: plays & playwrights > Displacing Female Bodies on the Eighteenth-Century Stage
22%
Displacing Female Bodies on the Eighteenth-Century Stage

Displacing Female Bodies on the Eighteenth-Century Stage

          
5
4
3
2
1

Out of Stock


Premium quality
Premium quality
Bookswagon upholds the quality by delivering untarnished books. Quality, services and satisfaction are everything for us!
Easy Return
Easy return
Not satisfied with this product! Keep it in original condition and packaging to avail easy return policy.
Certified product
Certified product
First impression is the last impression! Address the book’s certification page, ISBN, publisher’s name, copyright page and print quality.
Secure Checkout
Secure checkout
Security at its finest! Login, browse, purchase and pay, every step is safe and secured.
Money back guarantee
Money-back guarantee:
It’s all about customers! For any kind of bad experience with the product, get your actual amount back after returning the product.
On time delivery
On-time delivery
At your doorstep on time! Get this book delivered without any delay.
Notify me when this book is in stock
Add to Wishlist

About the Book

This book is driven by a central question: why were women playwrights in the Romantic period obsessed with silencing their female characters, pushing them off the stage, and announcing the removal of their own texts to the closet? These playwrights were some of the most well-known and commercially successful writers of their era, but were paradoxically also among its most marginalized figures: they were mocked by largely conservative audiences, suffered intense criticism for placing their works on display publically, and frequently found their plays rejected by theater managers in favor of works by established male playwrights. This marginalization has extended to the present as well: even while lamenting the exclusion of these writers from the canon, modern critics have implicitly or explicitly dismissed them as politically reactionary and criticized them for failing to include positive representations of women in their works and for abandoning progressive gender politics in order to pander to their audiences. This book reorients this dominant critical mode, arguing that these writers did not simply craft plays that would please the crowd, but that they deftly incorporated the suppressions and subjugations to which they were subject into their works. It demonstrates that within their plays gaps in discourse and representation contain a productive capacity, denoting spaces of imaginative potential or drawing into focus the conditions by which such silencing and erasure take place. The book argues that the long-standing critical misapprehension of these works stems from precisely these strategies of resistance, which of necessity took nontraditional forms and thus have not been readily recognizable to audiences, then or now.

The author terms the structures that female playwrights created in response to their paradoxical position as "negative spaces," areas in which they conspicuously staged the failure of their contemporary theater to adequately give voice to women writers and their concerns. Thus, Joanna Baillie's The Bride depicts the forced silencing, emotional effacement, and ultimate physical removal from the stage entirely of its titular female character; Hannah Cowley displaces the setting of her drama The Fate of Sparta into the distant past in order to showcase the historic malleability of gender relations and imagine alternative paths for them in the present; and Elizabeth Inchbald highlights the censorship and muting that haunted women playwrights from the period by removing her drama The Massacre from the stage into the closet, and then publishing her account of the process. By foregrounding the displacement of such central elements from their dramas, these playwrights shed light on social, economic, and political issues that would otherwise have remained invisible. Ultimately, the book finds that in probing the limits of representation, women's playwriting shares a central concern of Romantic literature more broadly, instanced in Blake's lifelong struggle to depict the songs of the divine, Percy Shelley's grappling with the sublime in "Mont Blanc," and Wordsworth's belated realization that he has crossed the Alps unawares. While these male canonical writers found such representational instability threatening, their female contemporaries actualized its potential to provide spaces to voice their concerns. Attention to these writers, whose gender and genre have worked together to locate them outside the traditional Romantic canon, thus lays bare the governing ideologies within our construction of the period's literature as a whole.


Best Sellers



Product Details
  • ISBN-13: 9781839988998
  • Publisher: Anthem Press
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Weight: 454 gr
  • ISBN-10: 1839988991
  • Publisher Date: 11 Jul 2023
  • Height: 229 mm
  • No of Pages: 200
  • Spine Width: 25 mm
  • Width: 152 mm


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS           
Click Here To Be The First to Review this Product
Displacing Female Bodies on the Eighteenth-Century Stage
Anthem Press -
Displacing Female Bodies on the Eighteenth-Century Stage
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Displacing Female Bodies on the Eighteenth-Century Stage

Required fields are marked with *





 
Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?

    Tag this Book




















    Read more
    Does your review contain spoilers?
     
    What type of reader best describes you?
    I agree to the terms & conditions
     
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals



    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!