This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1887 edition. Excerpt: ...any further draw; secondly, to draw the arrow within an inch or a little more of home, ' aiming then, and loosing after the completion of the draw; and thirdly, the method of combining the operations of drawing and aiming so continuously that the loose is the uninterrupted completion of the draw. It is unnecessary to consider the distinct method of drawing up and letting out again before the loose, or the uncertain method of fraying up and down, or playing as it were at fast-and-loose a bit before the loose, as no archer would adopt any such uncertain style as a matter of choice; though such stuttering and hiccoughing performances may occasionally bring back an erring arrow to its duty, or may arise from the loss of nerve and the departure of the crisp finish from what was once steady and unhesitating. Any movement of the bow-hand in drawing up from the left towards the right should be avoided, as that movement tends to contract instead of expanding the chest; therefore great care should be taken, when lateral movement is used in drawing up, to avoid passing the line of aim in moving the bow-hand towards the left. Though the theory and practice of aiming will be fully treated in another chapter, some reference must here be made to aiming, although it may lead to apparently unnecessary repetition. Eeference has already, somewhat prematurely, been made to the line of aim, and also to the length to be shot. Now it is clear that the success of a scientific shot must be the result of the exact combinations of the right line of aim, and the correct level of the bow-and loosing-hands by which to attain the length. In drawing, the process by which the line of aim and the level are arrived at must be associated in practice, but may be considered..