Note - Due to Covid-19 delivery of your order may get delayed. Sorry for the inconvenience. We will surely ship your order out.
From Factory Girls to K-Pop Idol Girls NR

From Factory Girls to K-Pop Idol Girls

International Edition
 
About the Book
Focusing on female idols' proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea's development trajectories, scrutinizing how a formula of developments from the country' rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault's discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals' subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation's century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state's export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals' everyday lives. Thus, Kim reveals there is a strategic convergence between Korea's lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim's book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
About the Author: Gooyong Kim is assistant professor of communication arts at Cheyney University of Pennsylvania.
Book Details
ISBN-13: 9781498548847
Publisher: Lexington Books
Publisher Imprint: Lexington Books
Height: 229 mm
No of Pages: 196
Series Title: For the Record: Lexington Studies in Rock and Popular Music
Weight: 290.56 gr
ISBN-10: 1498548849
Publisher Date: 15 Jul 2020
Binding: Paperback
Language: English
Returnable: Y
Spine Width: 11 mm
Width: 152 mm
User Reviews

Be the first to Write a Review on this book From Factory Girls to K-Pop Idol Girls