Claudia Durst Johnson

Claudia Durst JohnsonCLAUDIA DURST JOHNSON is Professor of English at the University of Alabama, where she chaired the English Department for 12 years. She is the author of the forthcoming volumes in the Greenwood Press Literature in Context series, Understandig the Scarlet Letter and Understanding Huckleberry Finn. She is also author of To Kill a Mockingbird: Threatening Boundaries (1994), American Actress. Perspective on the Nineteenth Century (1984), (with Vernon E. Johnson) Memoirs of the Nineteenth-Century Theatre (Greenwood, 1982), The Productive Tension of Hawthorne's Art (1981), and (with Henry Jacobs) An Annotated Bibliography of Shakespearean Burlesques, Parodies, and Travesties (1976), as well as numerous articles on American literature. Read More Read Less

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The Social Impact of the NovelNR
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Understanding The OdysseyNR
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Understanding The CrucibleNR
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Nineteenth-Century Theatrical MemoirsNR
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Patriarchy in Sandra Cisneros' the House on Mango StreetNR
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Women's Issues in Alice Walker's The Color PurpleNR
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Women's Search for Independence in Charlotte Bronte's Jane EyreNR
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Colonialism in Joseph Conrad's Heart of DarknessNR
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Slavery and Racism in the Narrative Life of Frederick DouglassNR
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The Bard Debunked1 % NR
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Family Dysfunction in William Faulkner's as I Lay DyingNR
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Race in the Poetry of Langston HughesNR
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Church and Stage32 % NR
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The Productive Tension of Hawthorne's Art6 % NR
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Class Conflict in F. Scott Fitzgerald's the Great GatsbyNR
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Women's Issues in Nathaniel Hawthorne's the Scarlet LetterNR
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Race in Mark Twain's Adventures of Huckleberry FinnNR
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Death and Dying in the Poetry of Emily DickinsonNR
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War in Kurt Vonnegut's Slaughterhouse FiveNR
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Racism in Maya Angelou's I Know Why the Caged Bird SingsNR
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