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Lúcia Nagib

Lúcia NagibLúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cineas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima's Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (EstaçãoLiberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Read More Read Less

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World Cinema and the Ethics of Realism27 %
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The Moving Form of Film6 % NR
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Realist Cinema as World Cinema30 %
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World Cinema and the Ethics of Realism43 %
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Realist Cinema as World CinemaNR
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Towards an Intermedial History of Brazilian Cinema37 % NR
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The Moving Form of Film6 % NR
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Towards an Intermedial History of Brazilian CinemaNR
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On CinemaNR
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Theorizing World Cinema1 % NR
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Theorizing World Cinema31 % NR
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Impure Cinema26 % NR
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The New Brazilian Cinema
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The New Brazilian Cinema
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Theorizing World Cinema
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On Cinema
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World Cinema and the Ethics of Realism
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