As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacific region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally.
About the Author: Larissa Hjorth is Professor in the Games Programs, School of Media & Communication, RMIT University, Australia.
Natalie King is Director of Utopia at Asialink, The University of Melbourne, Australia.
Mami Kataoka is chief curator at Mori Art Museum in Tokyo, Japan
