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Home > Art, Film & Photography > Performing arts > Films, cinema > Film history, theory or criticism > Australian Film Theory and Criticism: Volume 3: Documents(English)
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Australian Film Theory and Criticism: Volume 3: Documents(English)

Australian Film Theory and Criticism: Volume 3: Documents(English)

          
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About the Book

The third part of a three-volume work devoted to mapping the transnational history of Australian film studies, Volume 3: Documents concludes the project by gathering together the documents that were produced during the rise of film studies in Australian academia from 1975–85. Through these sources we see the development of the particularities of Australian film theory and criticism, its relationship to its international counterparts, and the establishment of key positions and the directions in which they develop. Editors Deane Williams and Constantine Verevis here collect key articles, including the works of Paul Willemen, Sam Rohdie, Ross Gibson, and Meaghan Morris, among many others, in order to conclude this pioneering historiographic account of Australian film studies.

Table of Contents:
Acknowledgements Introduction: ‘Notes for a History of Contexts’ Constantine Verevis and Deane Williams 1972 Experimentalists 1 Sylvia Lawson 1974 Francis Birtles: Cyclist, Explorer, Kodaker Ina Bertrand 1975 Feminist Critique Meaghan Morris 1976 Corsetway to Heaven: Looking Back at Picnic at Hanging Rock Ian Hunter Editorial Article John Tulloch 1978 Gilda: Images of Women – Notes for Discussion Lesley Stern 1979 Fetishism in Film ‘Theory’ and ‘Practice’ Ian Hunter Towards Decolonization: Some Problems and Issues for Film History in Australia Sylvia Lawson The Australian Journal of Screen Theory Adrian Martin Independent Feminist Filmmaking in Australia Lesley Stern Oedipal Opera: The Restless Years Lesley Stern 1980 Editorial Robert Rothols [as R.R.] 1981 Stock Shock and Schlock Stuart Cunningham Film and History: Canberra Conference Anna Grieve Recent ‘Political’ Documentary: Notes on Union Maids and Harlan County USA Noel King The Second Australian Film Conference: Theory Weary Adrian Martin The Second Australian Film Conference, or A Long Way from Lana Turner Brian McFarlane Editorial John Nicoll On Screen Tom O’Regan 1982 Feminist Film Theory: Reading the Text Barbara Creed ‘The Public Wants Features!’: The (Creative?) Underdevelopment of Australian Independent Film Since the 1960s Helen Grace 1983 Super 8: The Phenomenon Turned Eventful Ted Colless Independent Feminist Filmmaking and the Black Hole Felicity Collins Pornography and Pleasure: The Female Spectator Barbara Creed The Australian Film Industry and the Holy Roman Empire Susan Dermody and Elizabeth Jacka Camera Natura: Landscape in Australian Feature Films Ross Gibson Changing the Curriculum: The Place of Film in a Department of English Noel King Australian Documentary Cinema Albert Moran The Practice of Reviewing Meaghan Morris Australian Filmmaking: Its Public Circulation Tom O’Regan A National Cinema: The Role of the State Sam Rohdie ‘Murder, Murder, Dangerous Crime’ Bill Routt [as Bill Gent] Remarks on Screen: Introductory Notes for a History of Contexts Paul Willemen 1984 ‘National Identity’ / ‘National History’ / ‘National Film’: The Australian Experience Ina Bertrand The Australian Journal of Screen Theory Felicity Collins After Futur◊Fall  Ross Gibson Second History and Film Conference Report Sally Stockbridge 1985 Glimpses of the Present Philip Brophy Don Ranvaud: Of Framework and Festivals Rolando Caputo Yondering: A Reading of Mad Max Beyond Thunderdome Ross Gibson 1987 Charles Chauvel: The Last Decade Stuart Cunningham About the Editors


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Product Details
  • ISBN-13: 9781783208371
  • Publisher: Intellect
  • Publisher Imprint: Intellect Books
  • Height: 229 mm
  • No of Pages: 500
  • Series Title: English
  • Sub Title: Volume 3: Documents
  • Width: 178 mm
  • ISBN-10: 1783208376
  • Publisher Date: 15 Feb 2018
  • Binding: Paperback
  • Language: English
  • Returnable: Y
  • Spine Width: 22 mm
  • Weight: 680 gr


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