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Color Theory for the Make-Up Artist: Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-Up Artist: Understanding Color and Light for Beauty and Special Effects

          
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About the Book

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.

Table of Contents:
ACKNOWLEDGEMENTS FOREWORD INTRODUCTION CHAPTER 1: COLOR THEORY WHY WE SEE COLOR THE VISIBLE SPECTRUM CLASSIFYING COLOR THE COLOR WHEEL WARM & COOL COLORS PRIMARY COLORS SECONDARY COLORS TERTIARY COLORS COLOR RELATIONSHIPS COMPLEMENTARY COLORS COLOR SCHEMES THE 3 ATTRIBUTES OF COLOR HUE, VALUE, & INTENSITY CATEGORIZING COLORS MIXING COLOR TINTS, SHADES, & TONES LIGHT & DARK COLORS COLOR CONSTANCY COLOR SYSTEMS RYB CMY RGB ADDITIVE & SUBTRACTIVE COLOR OPTICAL ILLUSIONS IN COLOR SIMULTANEOUS CONTRAST OPTICAL MIXTURES AFTER-IMAGES IMPRESSIONISM POINTILLISM CHAPTER 2: PIGMENTS & DYES WHAT ARE PIGMENTS & DYES? PIGMENTS DYES EXAMPLES OF PIGMENTS & DYES PIGMENTS & DYES IN MAKE-UP CHARACTERISTICS OF PIGMENTS INORGANIC & ORGANIC PIGMENTS TRANSPARENCY & OPACITY PIGMENT VARIATIONS & MIXTURES CHAPTER 3: FLESH TONES PIGMENTS IN SKIN MAKING FLESH TONES FROM PRIMARY PIGMENTS COLOR BREAKDOWNS CHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UP MAKE-UP BASE COLORS UNDERTONES FOUNDATION MATCHING COLORED POWDERS CONCEALERS COLOR CORRECTION SHADOWS & HIGHLIGHTS ADDING COLOR: EYES, CHEEKS & LIPS EYES CHEEKS LIPS MAKE-UP DESIGN BREAKING THE RULES THINGS TO CONSIDER CHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UP COLORS IN THE BODY THE CIRCULATORY SYSTEM BLOOD BURNS, BRUISES & SCARS COLD & FROSTBITE SICKNESS & DEATH DIRT & MUD MAKING TATTOOS TEETH PAINTING PROSTHETIC APPLIANCES STIPPLING INTRINSIC COLOR WHEN TO ADD BLACK COLOR INSPIRATION FOR CHARACTER DESIGN PSYCHOLOGICAL EFFECTS OF COLOR COLORS IN NATURE CHAPTER 6: HOW LIGHTING AFFECTS COLOR LIGHTING YOUR WORKSPACE NATURAL LIGHT COLOR TEMPERATURE OF LIGHT LIGHT BULBS MAKEUP ROOMS & TRAILERS COLORED LIGHTING COLOR MIXING WITH LIGHT THREE CHARACTERISTICS OF COLORED LIGHT COLORED GELS ADDING WARM LIGHT ADDING COOL LIGHT LIGHTING FOR THEATER LIGHTING FOR FILM & TV 3 POINT LIGHTING EARLY FILM HD FILM LIGHTING FOR PHOTOGRAPHY COLOR GRADING CONCLUSION BIBLIOGRAPHY GLOSSARY


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Product Details
  • ISBN-13: 9781138095243
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Routledge
  • Height: 235 mm
  • No of Pages: 136
  • Spine Width: mm
  • Weight: 453 gr
  • ISBN-10: 1138095249
  • Publisher Date: 19 Jun 2018
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Sub Title: Understanding Color and Light for Beauty and Special Effects
  • Width: 191 mm


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