An examination of what comprises contemporary curating, covering topics such as: the process of making contemporary art exhibitions in the late 1990s; the changing role of the art institution and the curator; the artist as curator; and the recent explosion of alternative art spaces and projects.
Table of Contents:
From Monologue to Conversation: A Report from Atlanta (A. Harding); Everything (N. Cummings); A NEsTWORK Report from Manifesta (J. van Heeswijk); The Spectator as Performer (R. Layzell); Mapping International Exhibitions (B. Ferguson, et al.); Showtime: Curating Live Air in the 90s (L. Keidan); Conceptual Living (M. Roesink); New Transactions (D. McGonagle); Retrospective Prospective (S. Izhar); Not Quite at Home: Milada lizi ska, Curator for Contemporary Art, Warsaw (M. Lewandowska); Der Umbau Raum: Nicolaus Schafhausen's Viable Place (L. Gillick); On Locus+ (J. Bewley & S. Herbert); Artist-Curators and the New British Art (J. Stallabrass); Information, Education, Entertainment: ?; Section, NowHere Exhibition, Louisiana Museum of Modern Art (U. Bauer & F. Armaly); In the Midst of Things, at the Centre of Nothing (H. Obrist).
