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Drawing Dimensions

Drawing Dimensions

          
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About the Book

Suitable for Introductory Drawing I and II, Basic Drawing, Foundation Drawing, and Introductory Figure Drawing courses for undergraduate art majors as well as for general “core” students. Breathing freshness and vitality into the study of drawing, this unique, modularly formatted text offers a practical, comprehensive, and historically and visually inclusive introduction to the subject. Building skills with many inventive exercises, it is a rich resource that speaks directly to students in a clear and encouraging manner, presenting a global selection of varied conceptual and perceptional works in many materials and styles - from familiar masterworks to current exemplars, and from student works, featuring those of Josef Albers in the '50's to contemporary students at Cooper Union and other fine art schools.

Table of Contents:
Introduction: Aims and Uses of this Book. I. PERCEPTUAL DRAWING: LINE AND EDGE. Unit A: Draw What You See: A Matter of Choices. Unit B: Many Kinds of Lines: Definitions and Perceptions. Unit C: Contour, The Edge That Isn't There: A Sequential Development. Unit D: The Albers Linear Studies: For Control and Facility. II. LINEAR ORCHESTRATION: SURFACE, FORM AND EXPRESSION. Unit A: Calligraphic Ribbon: The Double-Edged, Shaped Line. Unit B: Clustering Line: Tone and Texture. Unit C: Linear Surface: Defining Form. Unit D: Expressive Line: Delineating Emotion. III. SEEING THE LIGHT: CLARITY AND SHADOW. Unit A: Continuous Tone: Line as the Edge of Shape. Unit B: Edgeless Tonality: Scaling Light and Dark. Unit C: Lighting Form and Space: Modeling and Shadowing. IV. READING THE SURFACE: COMPOSITION AND SPATIAL CONCEPTS. Unit A: On the Picture Plane: Structuring the Rectangle. Unit B: Picturing Space: Perspective in Perspective. Unit C: Abstracting Form: Progressive Reduction. V. THE HUMAN FIGURE: STRUCTURE AND MOVEMENT. Unit A: Skeletal Framework: The Support System. Unit B: Anatomical Basics: Building Bodily Form. Unit C: Imparting Movement: Activating the Figure. VI. EXPANDING SPACE AND TIME: STRETCHING THE SPACE, EXTENDING THE MOMENT. Unit A: Enlarging the Field: Multi-Unit Formats. Unit B: Enlarging the Scope: Multiple Viewpoints. Unit C: Beyond the Horizon: Fantasy and Illusion. VII. SEEING WITH THE INWARD EYE: THE CONCEPTUAL VISION. Unit A: The Mind's Eye: Sur-reality and Dreams. Unit B: Depicting the Unseeable: Conceptual Drawing. Unit C: Control and Context: Criteria for Choice. VIII. APPENDIX: MATERIALS AND SUPPLIES, PRESENTATION AND DIRECTION. A: Using Dry Materials. B: Using Liquid Materials. C. Basic Studio Needs and Presentation of Your Work. Bibliography. Index.


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Product Details
  • ISBN-13: 9780132201537
  • Publisher: Pearson Education (US)
  • Publisher Imprint: Pearson
  • Height: 279 mm
  • No of Pages: 344
  • ISBN-10: 0132201534
  • Publisher Date: 04 Nov 2003
  • Binding: Paperback
  • Language: English
  • Width: 216 mm


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