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Ear Training and Sight Singing: A Developmental Aural Skills Text(English)

Ear Training and Sight Singing: A Developmental Aural Skills Text(English)

          
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About the Book

Ear Training and Sight-Singing offers a comprehensive, all-in-one introduction to aural skills. Loaded with practical advice, exercises, and examples, this informative and interactive guide presents students with a wealth of resources to help them experiment with different approaches and ultimately refine their ear training and sight-singing abilities.

Table of Contents:
Preface Acknowledgements Features of the Textbook Part One: Basic Diatonic and Rhythmic Material 1: Scales - The Major Scale The Solfège System - Movable Do - Singing Major Scales Using Solfège - Curwen Hand Signs Intervals - Seconds and Thirds - Singing Melodic Intervals: Scale-Degree Patterns and Referential Melodies - Hearing Harmonic Seconds and Thirds Melody - Transcribing Scalar Melodies - Singing Scalar Melodies Using Solfège Triads - The Major Triad - Singing Major Triads from the Root Rhythm - Simple Meter: Notation and Transcription - Reading and Performing Rhythms in Simple Time - Conducting Patterns - Vocalizing Strategies Harmony - Tonic and Dominant: Getting the Bass Line Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms 2: Scales - The Minor Scale - Singing the Natural Minor Scale - The Harmonic Form of the Minor Scale - Singing the Harmonic Minor Scale Intervals - Perfect Intervals: Fourths, Fifths, and Octaves Melody - The Tonic Triad (I/i) - Singing Melodies with Tonic Arpeggios Triads - The Minor Triad - Singing Minor Triads from the Root Rhythm - Simple Meter: Rests - Simple Meter: Tied Notes - Transcribing Rests and Tied Notes in Simple Meter Harmony - I, IV, V, and V7 in Root Position - Subdominant Harmony (IV/iv) Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms 3: Scales - The Melodic Form of the Minor Scale - Singing the Melodic Minor Scale Intervals - Major and Minor Sixths Melody - The Dominant Triad (V) and the Dominant-Seventh Chord (V7) - Singing Melodies with Dominant and Dominant-Seventh Arpeggios Triads - Singing Major and Minor Triads from the Third and Fifth Rhythm - Compound Meter: Notation, Transcription, and Reading Harmony - I, IV, V in Root Position and First Inversion; V7 in Root Position Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms 4: Scales - More Practice with the Major Scale and All Forms of Minor Scales Intervals - Major and Minor Sevenths - Three Methods for Singing Sevenths Melody - The Subdominant Triad (IV/iv) - Singing Melodies with Subdominant Arpeggios Triads - Isolating Outer Voices in Major and Minor Triads Rhythm - Compound Meter: Tied Notes and Rests Harmony - Linear Progression: The viio6 Harmony - Focus: The Bass Voice - The Minor Dominant in Minor Keys Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets Rhythms 5: Scales - The Jazz Melodic Minor Scale Intervals - Tritones - Singing Tritones: Referential Melodies Melody - Tritone Leaps - The Supertonic Triad (II/ii) - Singing Melodies with Tritone Leaps and Supertonic Arpeggios Triads - Outer Voices in Major and Minor Triads: Alternative Doublings Rhythm - The Anacrusis (Upbeat) - Compound and Simple Meters: New Beat and Division Values Harmony - Supertonic Harmony: ii, ii6, and iio6 - Submediant (vi/VI) and Mediant (iii/III) Harmonies - The Minor Supertonic in Minor Keys Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms Part Two: Intermediate Diatonic and Rhythmic Material 6: Scales - The Church Modes - The Lydian Mode Intervals - More Practice with Intervals to the Perfect Octave Melody - Practice Melodies for Transcription - Practice Melodies for Sight-Singing Triads - The Diminished Triad - Singing the Diminished Triad Rhythm - More Practice with Rhythmic Transcription Harmony - Review of Root Position and First Inversion Harmonies - Special Harmonies in Minor Keys: The Subtonic and the Diminished Submediant - Passing and Neighbouring Tones Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets Rhythms 7: Scales - More Practice with Lydian Mode Intervals - Melodic Intervals in Series Melody - The Leading-Tone Triad (viio) - Singing Melodies with Leading-Tone Arpeggios Triads - The Augmented Triad - Singing the Augmented Triad Rhythm - Simple Meter: Beat Division into Four - Reading Quadruple Divisions Harmony - The Passing Six-Four Harmony (P4) Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms 8: Scales - The Mixolydian Mode Intervals - Harmonic Intervals in Series Melody - More Practice Melodies for Transcription and Singing Triads - Singing Major and Minor Triads in Root Position Given the Third or Fifth - Identifying Outer Voices in Diminished Triads Rhythm - Simple Meter: Challenging Exercises with Beat Division into Four - More Practice with Compound Meter Harmony - The Neighbouring Six-Four Harmony (N4) - The Circle of Fifths Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms 9: Scales - More Practice with Mixolydian Mode - More Practice with Major and Minor Scales Intervals - Singing Melodic Intervals in Series - More Practice Hearing Series of Harmonic Intervals Melody - Introduction to Two-Part Melodic Dictation - Review of Supertonic and Leading-Tone Arpeggios - Review of Mixolydian Mode Triads - Singing Major and Minor Triads in Inversion - More Practice with Diminished and Augmented Triads Rhythm - Simple Meter: More Challenging Exercises with Beat Division into Four - Compound Meter: More Ties and Rests - Introduction to Two-Part Rhythm Reading Harmony - The Cadential Six-Four Harmony (C4) - Longer Harmonic Progressions Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms - Two-Part Rhythms 10: Scales - The Dorian Mode Intervals - Longer Series of Melodic and Harmonic Intervals Melody - Transcription and Singing in Different Modes - More Two-Part Melodic Transcription Triads - Singing the Diminished Triad in First Inversion Rhythm - More Practice with Simple and Compound Meters - Reading Two-Part Rhythms with Rests and Ties Harmony - The Arpeggio Six-Four Harmony (A4) - Review of All 4Harmonies Repertoire - Scale-Degree Exercises - Solfège Melodies - Solfège Duets - Rhythms - Two-Part Rhythms Part Three: Advanced Diatonic and Rhythmic Material 11: Scales - Review of Major and Minor Scales; Lydian, Mixolydian, and Dorian Modes Intervals - Review of All Intervals up to the Perfect Octave Melody - Eight-Measure Melodies for Transcription, Part 1 - Review of Major and Minor Melodies with Wide-Interval Leaps Triads - Review of All Triads Rhythm - Review of Compound and Simple Meters - Compound Meter: Beat Division Into Six (Second-Level Division) Harmony - Transcribing Outer Voices - Inverted Dominant-Seventh Harmony: The V5 Chord Clefs - Alto and Tenor Clefs Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 12: Scales - The Phrygian Mode Intervals - Compound Intervals: Ninths and Tenths Melody - Eight-Measure Melodies for Transcription, Part 2 - More Practice Melodies for Singing Chords - Chords out of Context: The Major-Minor-Seventh (Mm7) Chord Rhythm - More Practice with Compound and Simple Meters - Two-Part Rhythmic Transcription Harmony - Inverted Dominant-Seventh Harmony: The V$2Chord - Non-harmonic Tones: Unaccented NHTs Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 13: Scales - The Locrian Mode Intervals - Compound Intervals: Perfect Elevenths, Twelfths, and Fifteenths - Singing Compound Fourths, Fifths, and Octaves Melody - Eight-Measure Melodies for Transcription: Sentence Structure - Singing Melodies: Focus on Cadences Chords - Chords out of Context: The Minor-Seventh Chord (mm7) and the Major-Seventh Chord (MM7) Rhythm - Borrowed Division: Triplets in Simple Meter - More Practice with Second-Level Division in Compound Meter Harmony - Inverted Dominant-Seventh Harmony: The V$3 Chord - Non-harmonic Tones: Accented NHTs Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 14: Scales - More Practice with Scales and Modes Intervals - Compound Intervals: Thirteenths, Fourteenths, and the Compound Tritone Melody - Eight-Measure Melodies for Transcription: Period Structure - Singing Melodies: Focus on Structure Chords - More Practice with mm7 and MM7 Chords Rhythm - Syncopation from Sixteenth Notes - Simple Meter: Two-part Rhythmic Dictation Using Triplets Harmony - Other Seventh Chords: I7, IV7, and II7 (Root Position Only) - Sequence: The Circle of Fifths Repertoire - Melodies - Duets - Rhythms - Two-Part Rrhythms 15: Scales - The Pentatonic Scale Intervals - More Practice with Compound Intervals Melody - More Melodies for Transcription and Singing Chords - Hearing the Upper Voice in Mm7, MM7, and mm7 Chords Rhythm - Borrowed Division: Duplets in Compound Meter - Compound Meter: Other Dotted-Rhythm Cells Harmony - Inverted Predominant Sevenths: ii5 and iiø5 Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms Part Four: Chromatic and Atonal Material; More Advanced Rhythmic Material 16: Scales - The Whole-Tone Scale Intervals - Multiple Compound Intervals, Part 1 - Simple Melodic and Harmonic Intervals in Series Melody - Melodies with Chromaticism - Singing Melodies with Chromaticism Chords - Chords Out of Context: The Half-Diminished-Seventh Chord (dm7 or Mø7) - Mm7 Chords as V7: Identifying the Upper Voice and the Inversion Rhythm - Irregular Meters: %4 and &8 Harmony - All Diatonic Harmonies Review - Modal Mixture Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 17: Scales - The Octatonic Scale Intervals - Multiple Compound Intervals, Part 2 Melody - More Practice with Hearing Chromaticism in Melodies - More Practice with Singing Chromaticism in Melodies Chords - All Triads: Adding Inner Voices - Chords Out of Context: The Fully-Diminished-Seventh Chord (dd7 or o7) Rhythm - Irregular Meter: *8 - Borrowed Division: More Tuplets Harmony - Hearing viiø7 and viio7 Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 18: Scales - The Blues Scale Intervals - Melodic Atonal Intervals in Series - Singing Melodic Atonal Intervals in Series Melody - Modulating Melodies - Singing Modulating Melodies - Simple Chromaticism in Two-Part Melodies Chords - Mm7 Chords: Adding Upper Voices Rhythm - Changing Meters Harmony - Chromatic Harmony: The Neapolitan Sixth Chord (bII6) Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 19: Scales - Non-traditional Scales Intervals - Harmonic Compound Intervals in Series - More Practice with Melodic Atonal Intervals in Series Melody - More Modulating Melodies - Modulating Melodies with Chromaticism - More Chromaticism in Two-Part Melodies Chords - Other Seventh Chords: Adding Inner Voices Rhythm - Further Levels of Beat Division and Examples from the Literature - Borrowed Divisions: Subtriplet and Supertriplet Harmony - Chromatic Harmony: The Augmented Sixth Chords Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms 20: Scales - Olivier Messiaen's Modes of Limited Transposition Intervals - More Practice with Harmonic Compound Intervals in Series - More Practice with Melodic Atonal Intervals in Series Melody - Melodies that Modulate to Other Key Areas - More Chromaticism in Modulating Melodies Chords - Chords Out of Context: The Dominant-Ninth Chord (V9) - Singing Dominant-Ninth Arpeggios The mM7 Chord - The mM7 Chord Rhythm - More Practice with Triplets, Tuplets, and Duplets - Advanced Rhythmic Transcription and Reading Harmony - V9 in Harmonic Progressions - Applied Dominants: [V7] and [V5] Repertoire - Melodies - Duets - Rhythms - Two-Part Rhythms


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Product Details
  • ISBN-13: 9780195446173
  • Publisher: Oxford University Press, Canada
  • Publisher Imprint: Oxford University Press, Canada
  • Depth: 25
  • Height: 279 mm
  • No of Pages: 448
  • Series Title: English
  • Sub Title: A Developmental Aural Skills Text
  • Width: 221 mm
  • ISBN-10: 0195446178
  • Publisher Date: 17 Jan 2013
  • Binding: Paperback
  • Edition: SPI PAP/CO
  • Language: English
  • Returnable: Y
  • Spine Width: 17 mm
  • Weight: 960 gr


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