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The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures(1 Studies in Art & Materiality)

The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures(1 Studies in Art & Materiality)

          
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About the Book

The Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation.

Table of Contents:
Preface  Hanna Hölling List of Figures Contributors Introduction: Material Encounters  Hanna B. Hölling, Francesca G. Bewer, and Katharina Ammann Part 1: Time and Change in Material and Object Inquiries 1 A Sea-Change Rich and Strange  David Lowenthal 2 The Present, the Past, and the Material Object  Paul Eggert 3 Engaging with Materials Telling the Whole Story  Elizabeth Pye Part 2: Explicating the Performative: Material, Medium, Object 4 The ‘Extended Life’ of Performance Curating 1960s Multimedia Art in the Contemporary Museum  Judit Bodor 5 Framing Intention Presentation as Preservation Strategy in Video Art  Katharina Ammann 6 Out of the Box Preservation on Display  Anna Schäffler 7 The Louvre on Celluloid Curating, Disseminating, and Preserving the Louvre’s Collections in Mid-Twentieth-Century Art Documentaries  Birgit Cleppe Part 3: The Making and Unmaking of Objects and Myths 8 The Material Forms of the Past and the ‘Afterlives’ of the Compositiones variae Recovering, Conserving, and Exhibiting the Personal History of an Early Medieval Manuscript  Thea Burns 9 Would You Like That With or Without Mayo? How Interdisciplinary Collaboration Slows the Spread of Popular Misconceptions in Modern Art Scholarship  Dawn V. Rogala Part 4: Transitions 10 Materials, Objects, Transitions Jorge Otero-Pailos in Conversation with Hanna Hölling Index


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Product Details
  • ISBN-13: 9789004372818
  • Publisher: Brill
  • Publisher Imprint: Brill
  • Height: 235 mm
  • No of Pages: 290
  • Series Title: 1 Studies in Art & Materiality
  • Sub Title: Inquiries on the Intersection of Curatorial and Conservation Cultures
  • Width: 155 mm
  • ISBN-10: 9004372814
  • Publisher Date: 24 Jul 2019
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Spine Width: 24 mm
  • Weight: 750 gr


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