Home > Art, Film & Photography > Performing arts > Films, cinema > Documentary films > Flash Flaherty: Tales from a Film Seminar
25%
Flash Flaherty: Tales from a Film Seminar

Flash Flaherty: Tales from a Film Seminar

          
5
4
3
2
1

Available


Premium quality
Premium quality
Bookswagon upholds the quality by delivering untarnished books. Quality, services and satisfaction are everything for us!
Easy Return
Easy return
Not satisfied with this product! Keep it in original condition and packaging to avail easy return policy.
Certified product
Certified product
First impression is the last impression! Address the book’s certification page, ISBN, publisher’s name, copyright page and print quality.
Secure Checkout
Secure checkout
Security at its finest! Login, browse, purchase and pay, every step is safe and secured.
Money back guarantee
Money-back guarantee:
It’s all about customers! For any kind of bad experience with the product, get your actual amount back after returning the product.
On time delivery
On-time delivery
At your doorstep on time! Get this book delivered without any delay.
Quantity:
Add to Wishlist

About the Book

Flash Flaherty, the much-anticipated follow-up volume to The Flaherty: Decades in the Cause of Independent Cinema, offers a people's history of the world-renowned Robert Flaherty Film Seminar, an annual event where participants confront and reimagine the creative process surrounding multiple document/documentary forms and modes of the moving image. This collection, which includes a mosaic of personal recollections from attendees of the Flaherty Seminar over a span of more than 60 years, highlights many facets of the "Flaherty experience." The memories of the seminarians reveal how this independent film and media seminar has created a lively and sometimes cantankerous community within and beyond the institutionalized realm of American media culture. Editors Scott MacDonald and Patricia R. Zimmermann have curated a collective polyphonic account that moves freely between funny anecdotes, poetic impressions, critical considerations, poignant recollections, scholarly observations, and artistic insights. Together, the contributors to Flash Flaherty exemplify how the Flaherty Seminar propels shared insights, challenging debates, and actual change in the world of independent media.

Table of Contents:
Preface Acknowledgments Introduction 1. Sheafe Satterthwaite, "Francis in Her Inglenook" 2. Jonas Mekas, "A Screening of Flaming Creatures in Vermont" 3. Jay Ruby, "The Aborted Indigenous Seminar" 4. Amalie R. Rothschild, "I Was Taken Seriously as a Filmmaker" 5. Nadine Covert, "Reminiscences of Flaherty" 6. Linda Lilienfeld, "Notes on the Flaherty Seminar" 7. Dierdre Boyle, "Video Slowly Emerges at the Flaherty Seminar" 8. Juan Mandelbaum, "Forty Years" 9. Patricia R. Zimmermann, "Get Out Your Shovel" 10. Lucy Kostelanetz, "Godmothers, Godfathers, and an Organization with a Soul" 11. Bruce Jenkins, "Bordering on Fiction" 12. Richard Herskowitz, "My First Few Flahertys" 13. Ann Michel and Phil Wilde, "Video Projection at the Flaherty" 14. Michael Grillo, "A Mediaevalist's Projection" 15. Lynne Sachs, "Refractions" 16. Tony Buba, "Taking the Plunge" 17. Linda Blackaby and Tony Gittens, "Media Matters and Meteor Showers" 18. Jeffrey Skoller, "Thirty Years Later" 19. Helen De Michiel, "The Flaherty in 1986" 20. Louis Massiah, "The One Who Names You" 21. Philip Mallory Jones, "Sparks" 22. Tim Murray, "On the Road to Flaherty" 23. Su Friedrich, "One Lake and Two Kerfuffles" 24. Scott MacDonald, "Without Anesthesia" 25. Mark Geiger, "In over My Head" 26. Patti Bruck, "Simply Put" 27. Stacey Steers, "The Flaherty Laboratory" 28. Margarita de la Vega Hurtado, "Practical Difficulties and Different Locations" 29. Ayoka Chenzira, "At the Table" 30. Andrei Zagdansky, "Notes from the 1990 Flaherty Seminar" 31. Steven Montgomery, "Overcoming Contempt" 32. Laura U. Marks, "The Scent of Places" 33. Aviva Weintraub, "Folders" 34. Ken Jacobs, "THE TO-DO OVER XCXHXEXRXRXIXEXSX" 35. Portia Cobb, "Points of Departure" 36. Jason Livingston, "Many Moons" 37. Kathy Geritz, "Programming the 2000 Flaherty" 38. Sami van Ingen, "Coming of Age at the Flaherty" 39. Marlina Gonzales, "Flaherty 1995" 40. Ayisha Abraham, "Aurora, Bangalore, Mysore" 41. Grace An, "Beginnings/Endings" 42. Dorothea Braemer, "Talking" 43. Ulises A. Mejias, "Recovering Lost Memories" 44. Thomas W. Bohn, "I Never Met Robert Flaherty" 45. Jacqueline Goss, "Tendon Stretches" 46. Dan Streible, "Up All Night" 47. Tan Pin Pin, "The Art of Asking Questions" 48. Alyce Myatt, "Indelible Marks" 49. Erika Mijlin, "An Unruly Endeavor" 50. Vicky Funari, "Familiar and Strange" 51. Brian L. Frye, "How I Learned to Stop Worrying & Love the Flaherty" 52. Ed Halter and Matt Wolf, "Remembering" 53. Chi-hui Yang, "A Radical Openness" 54. Simon Tarr, "Flaherty Reflections" 55. Lucius Barre, "Flaherty Replaces Cannes" 56. Howard Weinberg, "Film vs. TV—Flaherty & INPUT" 57. John Gianvito, "I Remember Being Profoundly Moved and Inspired" 58. Ilisa Barbash, "Five Reflections in Search of the Flaherty's Zeitgeist" 59. Sam Gregory, "'Witnessing' and Witnessing at the Flaherty" 60. Carlos A.Gutiérrez, "I Drank the Kool-Aid" 61. Joanna Raczynska, "Four Flaherty Seminars" 62. Roger Hallas, "Critical Humility" 63. Jean-Marie Teno, "Long Walks" 64. Andrés Di Tella, "Breaking All the Ordered Surfaces" 65. Leandro Katz, "Un banquete at Claremont" 66. Amir Muhammad, "The Sound of White People Talking" 67. John Knecht, "Flaherty Finds a New Home, at Colgate University" 68. Jim Supanick, "Stranger Comes to Town" 69. Dale Hudson, "Patty Sent Me" 70. Shannon Kelley, "Tilting, Torqueing, and Shuffling between Dimensions" 71. Jason Fox, "Returning to the Scene of the Crime" 72. Amalia Córdova, "Indigenous Media Detonations" 73. John Muse, "Forgetting Flaherty" 74. Marit Kathryn Corneil, "Breathing through the Screen" 75. Richard Shpuntoff, "The Act of Seeing Attentively" 76. Frances Guerin, "From Colgate University to the Central African Republic" 77. Dagmar Kamlah, "A Virus and a Mission" 78. Paweł Wojtasik, "I Didn't Know What I Was Doing" 79. Dayong Zhao, "Scents" 80. Josetxo Cerdan, "My Own Private Rayuela" 81. Karin Chien, "Reverberations and Amplifications" 82. Caroline Martel, "My Imaginary" 83. Susana de Sousa Dias, "From DocsKingdom to the Brotherhood of the Crystal Skull" 84. David Gracon, "Homecoming" 85. Joel Neville Anderson, "My First Flaherty" 86. Bo Wang, "Everyone Recommended It" 87. Gabriela Monroy and Caspar Stracke, "Turning the Outside in Again" 88. Ohad Landesman, "The Tactile Unconscious" 89. Alberto Zambenedetti, "Small Victories" 90. Eli Horwatt, "What the Flaherty Taught" 91. Hend F. Alawadhi, "Certain Voices Were Painfully Missing" 92. Ekrem Serdar, "Learning Things, Losing Things" 93. Jonathan Marlow, "Time Travels" 94. Roy Grundmann, "A Cinema that Breathes" 95. Lina Žigelytė, "Grass, Rocks, Water" 96. Jiangtao (Harry) Gu, "Not Exactly a House of Prayer" 97. Greg de Cuir, Jr., "Speaking Nearby Flaherty" 98. Sheafe Satterthwaite, "No Longer an Odd Voice at the Flaherty" 99. John Bruce, "Uncertain Expeditions" 100. Anocha Suwichakornpong, "In That Silence" 101. Scott MacDonald, "Alas, the Logo!" 102. Patricia R. Zimmermann, "Seeing Bill Sloan, 1928-2017"


Best Sellers


Product Details
  • ISBN-13: 9780253053985
  • Publisher: Indiana University Press
  • Publisher Imprint: Indiana University Press
  • Height: 254 mm
  • No of Pages: 448
  • Spine Width: 33 mm
  • Weight: 998 gr
  • ISBN-10: 0253053986
  • Publisher Date: 02 Mar 2021
  • Binding: Hardback
  • Language: English
  • Returnable: 01
  • Sub Title: Tales from a Film Seminar
  • Width: 178 mm


Similar Products

How would you rate your experience shopping for books on Bookswagon?

Add Photo
Add Photo

Customer Reviews

REVIEWS           
Click Here To Be The First to Review this Product
Flash Flaherty: Tales from a Film Seminar
Indiana University Press -
Flash Flaherty: Tales from a Film Seminar
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Flash Flaherty: Tales from a Film Seminar

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book
    Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!
    ASK VIDYA