This dissertation, "Local sites/global contexts: negotiating the roots/routes of identity in Asian queer diaspora" by Neil Lawrence, Maxwell, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. Abstract: Abstract Living as we do in a world characterized by globalization, homogenization and continual transnational migration it is interesting to consider what new identities are emerging and forming in the matrix of increased global interaction and how such identities are in turn being represented culturally. This dissertation examines the emergence of one such identity: the Asian diasporic gay male and how such identity is negotiated and constituted within representation. By drawing on three different cultural texts produced by transnational Asians in the 1990s; Ang Lee's globally successful film The Wedding Banquet (1993), tongzhi writer and activist Hsu Yoshen's short fiction Stones on the Shore (1992), and Asian American writer Lawrence Chua's novel Gold by the Inch (1998) I undertake an examination of each of these cultural representations in terms of how they negotiate the "roots" and "routes" of identity through the construction of an Asian diasporic queer subject and subjectivity. By drawing on Stuart Hall's writing of the African-Caribbean people I focus on the ways in which these representations open a dialogue on the question of identity through negotiating the conflation of homosexuality and diaspora. Identity is not as transparent and unproblematic as we think and by examining the representation of an Asian diaspora queer subject and the complex set of loyalties these men face I attempt to further problematize and challenge any authority and authenticity that the term identity lays claim to. Starting with global public visibility through transnational mass-mediated subjectivity, then moving on to tongzhi identity politics and essentialist claims of strategic assertion and ending with individual subjectivity and desire, I trace some of the trajectories of the construction of an Asian diasporic queer discourse and consider the value of these three cultural representations and their respective modes of production as potential routes of liberation. - 3 - DOI: 10.5353/th_b3879223 Subjects: Gays - AsiaGroup identity