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The Location of the Posthuman in Postcolonial Culture: Human-Machine Entanglements in Pakistani Anglophone Fiction, 2000-2020

The Location of the Posthuman in Postcolonial Culture: Human-Machine Entanglements in Pakistani Anglophone Fiction, 2000-2020

          
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About the Book

This book explores how technology reshapes human life in contemporary Pakistani Anglophone fiction. Focusing on novels by Mohsin Hamid, Kamila Shamsie, Nadeem Aslam, and Uzma Aslam Khan, this book examines four key technologies—automobiles, cameras, digital media, and weapons—and their role in transforming identity, ethics, and power. Drawing on posthuman and postcolonial theory, the chapters present how these texts depict cyborg identities, surveillance cultures, and techno-political violence in the Global South. By combining literary analysis with critical theory, it offers new ways to understand human–machine relationships beyond Eurocentric frameworks. This book is an essential resource for scholars and students of literature, cultural studies, media studies, and South Asian studies interested in technology, posthumanism, and global modernity.



Table of Contents:

Chapter 1. Introduction.- Chapter 2. Colonial and Postcolonial Technoscapes: Political and Historical Contingency of Human- Machine Entanglements in Pakistani Culture and Literature.- Part I Automobiles.- Chapter 3. Postcolonial Posthuman Cyborg Ontologies: Human-Automobile Entanglements in Mohsin Hamid’s Moth Smoke.- Chapter 4. Vehicle Art.- Part II. Camera.- Chapter 5. The Uncanny Trajectories of Human-Camera Entanglements in Uzma Aslam Khan’s Thinner Than Skin.- Chapter 6. Uncanny Optical Hauntology of Photographs and Live TV Transmissions in Kamila Shamsie’s Home Fire.- Part III. Information and Communication Technologies (ICTs).- Chapter 7. Soft Power of Hollywood: Colonisation of Mediascapes and Ideoscapes in Mohsin Hamid’s The Reluctant Fundamentalist.- Chapter 8. Nonwestern Cyborg Subjectivities and Global Cyberspaces: The Location of the Smart Phone in Mohsin Hamid’s Fiction.- Chapter 9. Digital Diaspora Communities and ‘Bad-Borgs’: Social Media Scapes in Kamila Shamsie’s Home Fire.- Chapter 10. Digital Panopticon, Big Data, and AI: Cybercolonialism and Networks of Surveillance Technologies in Pakistani Anglophone Fiction.- Part IV Weapons.- Chapter 11. Postcolonial and Posthuman Trajectories of the Necropolitical Agency of Drone Warfare in Contemporary Pakistani Anglophone Fiction.- Chapter 12. Weapons of War and Ecocide: Depiction of Environmental Injustice and Slow Violence in Nadeem Aslam’s Fiction.- Chapter 13. Safety Tools or Cruel Devices: Slow Violence of Small Arms and Light Weapons (SALW) in Pakistani Anglophone Fiction.- Chapter 14. Material-Discursive Diffractive Agency of Nuclear Warfare in Mohsin Hamid’s Moth Smoke and Kamila Shamsie’s Burnt Shadows.


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Product Details
  • ISBN-13: 9789819203925
  • Publisher: Springer Verlag, Singapore
  • Publisher Imprint: Springer Nature
  • Height: 235 mm
  • No of Pages: 306
  • Sub Title: Human-Machine Entanglements in Pakistani Anglophone Fiction, 2000-2020
  • ISBN-10: 9819203929
  • Publisher Date: 15 Jul 2026
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Width: 155 mm


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