"It didn't occur to me until fairly late in the work that I was writing a book about the beginnings of a national celebrity culture. By 1860, a few boxers had become heroes to working-class men, and big fights drew considerable newspaper coverage, most of it quite negative since the whole enterprise was illegal. But a generation later, toward the end of the century, the great John L. Sullivan of Boston had become the nation's first true sports celebrity, an American icon. The likes of poet Vachel Lindsay and novelist Theodore Dreiser lionized him—Dreiser called him 'a sort of prize fighting J. P. Morgan'—and Ernest Thompson Seton, founder of the Boy Scouts, noted approvingly that he never met a lad who would not rather be Sullivan than Leo Tolstoy."—from the Afterword Praise for the first edition— "Gorn is an adventurous historian with a talent for informed speculation. He has written an exciting narrative history of boxing and then gone a step further to ask a series of questions that extend his focus to the whole of nineteenth-century American culture."—The Nation "Gorn combines colorful, witty, powerful narrative with enormously sophisticated analytical rigor, and the result is a book that anyone remotely interested in America's nineteenth century should read."—Virginia Quarterly Review "Gorn's finely conceived and craftsmanlike book catches the spirit of a young nation rushing to industrialization and how prize fighting was affected by, and came to reflect, much of the national mood and character. The Manly Art is first-rate social history rendered in felicitous prose."—Chicago Sun-Times "The Manly Art is an important contribution to the study of nineteenth-century American culture. Writing with clarity, vigor, and grace, Gorn combines detailed narrative with convincing interpretations. He offers the reader a judicious selection of quotations from the sporting press that capture the drama, sensuality, and brutality of the ring and its craftsmen."—The Journal of American History Elliott J. Gorn's The Manly Art tells the story of boxing's origins and the sport's place in American culture. When first published in 1986, the book helped shape the ways historians write about American sport and culture, expanding scholarly boundaries by exploring masculinity as an historical subject and by suggesting that social categories like gender, class, and ethnicity can be understood only in relation to each other. This updated edition of Gorn's highly influential history of the early prize rings features a new afterword, the author's meditation on the ways in which studies of sport, gender, and popular culture have changed in the quarter century since the book was first published. An up-to-date bibliography ensures that The Manly Art will remain a vital resource for a new generation.

Table of Contents:
Prologue: The English Prize Ring1. Hats in the Ring "The Tremendous Man of Colour" First Blood Professors of Pugilism Ideology and the Ring2. The First American Champions The Rise of "Yankee" Sullivan The Battle of Hastings "The Great $10,000 Match between Sullivan and Hyer"3. The Age of Heroes "The Good Time Coming" The Era of John Morrissey The Fate of Champions4. The Meanings of Prize Fighting Working-Class Culture in Antebellum Cities Meaning in Mayhem The Rites of Violence5. Triumph and Decline "The Great Contest for the Championship of the World" Civil Wars "... The Gangs Who Rage and Howl at the Ropes"6. "Fight Like a Gentleman, You Son of a Bitch, If You Can" The Rise of Sports The Strenuous Life Fighting Clerks, Boxing Brahmins, Vigorous Victorians7. The End of the Bare-Knuckle Era "My Name's John L. Sullivan and I Can Lick Any Son-of-a-Bitch Alive" The New Order "... Nigh New Orleans upon an Emerald Plain..." "The Champion of All Champions"Epilogue: The Manly Art Afterword to the Updated EditionNotes Selected Bibliography Index