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The Many Names of Anonymity: Portraitists of the Canton Trade

The Many Names of Anonymity: Portraitists of the Canton Trade

          
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About the Book

Explores how the function, norms, and meaning of artists’ names in Chinese modernity have been misunderstood.   Challenging contemporary procedures for establishing attribution, chronology, and authenticity in Chinese art, Winnie Wong explores the means, methods, and stakes of recovering the names of an anonymous community of artists. To examine how Western art history has misconstrued and miscategorized names and identities in Chinese art, she looks to conflicting features of modernity: the European attachment of singular names to individuals and their works, and the Chinese use of socially contingent names that often are not attached to material labor and sometimes operate against it. Wong charts the genealogy of this naming problem by bringing to life the artists of the Qing Empire’s trade with Europeans at the port of Guangzhou, centering on a group of portraitists known by names that were recorded in a pidgin language: Chin Qua, Chit Qua, Spoilum, Lam Qua, and Ting Qua.   Many of these paintings survive today, yet scholars have identified only a handful of the painters’ identities. Pushing against Western norms that have shaped our understanding of authorship, Wong reveals that these artists shared names, created works in multiples, and signed their pieces with different names or none at all. This lavishly illustrated volume explores portraiture across media, including unfired clay, reverse painting on glass, watercolor on paper, oil on canvas, and the daguerreotype, to propose new ways of studying anonymity, copying, and the emergence of author names in the Sino-European visual culture of the long eighteenth century.   

Table of Contents:
Note on Romanizations, Sinicizations, and Audio Recordings Introduction: Names Are But the Guests of Reality 1 Ting Qua’s Studio of Quiet Self-Attainment 2 Chin Qua and Chit Qua: Till You See the Original 3 From Spillem to Spoilum: Pleased with Their Own Resemblance 4 Lam Qua I, II, and III: The Instrument That Draws All by Itself Conclusion: The Mirror and the Template Acknowledgments Abbreviations Notes Bibliography Index


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Product Details
  • ISBN-13: 9780226155821
  • Publisher: The University of Chicago Press
  • Publisher Imprint: University of Chicago Press
  • Height: 254 mm
  • No of Pages: 288
  • Sub Title: Portraitists of the Canton Trade
  • Width: 216 mm
  • ISBN-10: 022615582X
  • Publisher Date: 10 Nov 2025
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Weight: 454 gr


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