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Mastering the Copy

Mastering the Copy

          
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About the Book

A copy of a work of art is never “just” a copy. Behind each one lies skill, time, technical mastery, and often years of dedication. In the 19th century – the focus of Mastering the Copy – copying formed the core of every artist’s training. Museums depended on copies to share art history with audiences far beyond Europe’s major galleries, offering visual knowledge no book could match while keeping original masterpieces alive in public memory.
Copies also provided income for both amateurs and professionals, including the celebrated singer Emma Dahl. This publication reveals how such works shaped the National Museum’s early collections and continue to inspire today.

Text in English and Norwegian.



Table of Contents:
Foreword Each copy has its own value Art education in Norway in the 19th century Dahl after Abildgaard Copies of copies. Maria Ellenrieder’s studies The multiple techniques for multiplying artworks Copperplate engraving – found in translation The maddening effects of engraving “An extraordinary feat of engraving” An improved supper? Goethe on Morghen’s engraving Norwegian art across the world Variations on The Batavian Oath of Allegiance to Claudius Civilis An unparalleled feat of publishing The Collection of Engravings and Drawings Exclusive art experiences Painted copies in the National Gallery Precious miniatures From Europe with love Berg’s travelling museum of watercolours Beauty in a box Copyists at the National Gallery “Art is now one of the ways I make a living” Emma Dahl – a copyist at the National Gallery “Do not touch the artworks” Artistic copyright Realising your potential by copying Innovative repetitions Munan Øvrelid’s Buttons Unbuttoned and Empty Plates


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Product Details
  • ISBN-13: 9788281541672
  • Publisher: Nasjonalmuseet
  • Publisher Imprint: Nasjonalmuseet
  • Height: 300 mm
  • No of Pages: 208
  • ISBN-10: 8281541679
  • Publisher Date: 12 Jan 2026
  • Binding: Paperback
  • Language: English
  • Width: 205 mm


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