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Nachmärz: Der Ursprung der ästhetischen Moderne in einer nachrevolutionären Konstellation(German)

Nachmärz: Der Ursprung der ästhetischen Moderne in einer nachrevolutionären Konstellation(German)

          
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About the Book

In den Beiträgen dieses Bandes wird ein unter historisch-politischen und kultur- und literaturgeschichtlichen Aspekten bedeutsamer Zeitraum neu ausgeleuchtet. Das Scheitern der Revolution 1848/49 zwang zu vielen Formen der Reaktion und Bewältigung: zum Abschwören alter Ideale und zur Suche nach "realitätstüchtigen" Programmen, zum beharrlichen Verfolgen der Emanzipation sowie zur Transponierung revolutionärer Impulse in die Kunst und Literatur. Die übergreifende Leitthese lautet: Die Verarbeitung der gescheiterten Revolution gehört zum Ursprung der ästhetischen Moderne und des modernen Denkens, der Nachmärz ist das "Laboratorium" der Moderne.

Table of Contents:
I. Vormärz-Nachmärz: Heinrich Heine.- “Das bessere Lied” — Nachmärz im Vormärz. Zu Heinrich Heines Weg der Kunst Dezember 1841 — Januar 1844.- Heine und Baudelaire — eine vergleichende Lektüre.- II. Kontinuitäten und Brüche.- Der Streit als symbolische Form. Lessing, Heine, Nietzsche.- Gottfried Semper: Destruktion und Reaktivierung des Klassizismus.- Carl Blechen — der Widerstand gegen das Erhabene.- Melancholie in Farbe.- “Hinschwinden aus der Gegenwart”. Richard Wagner nach der Revolution. Ein essayistischer Exkurs.- III. Paris und anderswo: Zur Urgeschichte der Moderne.- Paris, die Mode und das Moderne.- Edgar Allan Poes detektivische Methode und ihre instrumenteile Zukunft.- Deutsche Juden in Paris um 1850.- Nietzsches Antwort auf die Pariser Positivisten und Experimentalisten.- Vom Ewigen und Flüchtigen zum ewig Flüchtigen. Die erste Londoner Weltausstellung als Wahrnehmungsproblem.- Die weiße Stadt. Die Weltausstellung von 1937 und der Mythos der ‘ville lumiere’.- IV. Zum Skandalon des imaginären Juden.- “Was wüßte deutsches Hornvieh mit den délicatesses einer solchen Natur anzufangen!” Nietzsche über Heinrich Heine.- Die Erfindung des Homosexuellen. Ein Motiv der Wissenschaft und Literatur des 19. Jahrhunderts.- Freud liest Heine liest Freud.- V. ‘Poetischer Realismus’.- “Fettaugen über der Wassersuppe” — frühe Moderne-Kritik beim späten Gottfried Keller. Die Diagnose einer Verselbständigung der Zeichen und der Ausdifferenzierung autonomer Kreisläufe.- Der Shawl des Theodor Storm. Oder: Das Schreiben und der Markt. Ein literaturhistorisches Divertimento.- Stifter — Naturreservate und künstliche Paradiese nach 1848.- VI. Nachgeschichten.- Aspekte des nachrevolutionären Expressionismus.- Mit Lorbeer undSchwert. René Schickele über Heinrich Heine.- Zur Kritik der einfachen Politisierung. Die “Ästhetik des Widerstands” als Nach-68-Roman.- Die nachrevolutionäre Privatheit. Fragmente einer Analyse des Lebensstils der Generation von 1968.- Schriftenverzeichnis von Klaus Briegleb.- Zu den Autoren.


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Product Details
  • ISBN-13: 9783531124131
  • Publisher: Springer Fachmedien Wiesbaden
  • Publisher Imprint: Springer vs
  • Edition: 1996 ed.
  • Language: German
  • Returnable: N
  • Series Title: German
  • Sub Title: Der Ursprung der ästhetischen Moderne in einer nachrevolutionären Konstellation
  • Width: 155 mm
  • ISBN-10: 3531124137
  • Publisher Date: 01 Jan 1996
  • Binding: Paperback
  • Height: 235 mm
  • No of Pages: 395
  • Returnable: Y
  • Spine Width: 21 mm
  • Weight: 557 gr


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