Fans of the medieval Rabbinic sages Rashi and Ramban will enjoy how the author has used poetry to update and embody some of their brilliant Torah insights. One example is the poem "Raven's Song" which explores Rashi's explanation as to the real reason why the raven was set loose from Noah's ark and never returned. For parents looking for a closing to their perfect Bar or Bat Mitzvah speech, the poem "Blessing" expands on the traditional Shabbat blessing to enumerate the gifts of all of the tribes of Israel and wish them upon the child. For Rabbis and serious scholars of the Tanakh, "Brother Sun and Sister Moon" incorporates a wealth of Talmudic references in the course of a heated religious debate as to whether men or women are more blessed in God's eyes. All scriptural references in the poetry are annotated and explained in the second half of the book for those readers who are inspired by the poetry and related artwork to pursue deeper Torah study.
As is evident from the above, the poetry and art in this book is inspired by the Torah and other Jewish Holy Scriptures and is intended for a Jewish audience. However, non-Jewish readers can enjoy the poetry and artwork, although they may not understand some of the Talmudic references. The initial inspiration for this book was Psalm 104, which recounts the entire creation, where God's glory is seen as a garment of light as He begins his creation, the Moon is appointed for the seasons, the young lions retreat to their dens with the rising of the sun, the high hills are a refuge for the goats, Leviathan is seen playing among the ships in the sea and God's spirit goes forth across the earth to renew it. Edward Burne-Jones' "Days of Creation" painting is the visual illustration of Psalm 104, with the seventh angel playing a harp at the bottom of panel 6 representing the seventh day of creation.
Some of the poems in this book are didactic poems intended to explain cryptic scriptural passages or reveal the deeper meaning behind a Jewish prayer. For example, the poem "It is Enough" examines Proverbs 30:15-16, which speaks of four things that are never satisfied: the grave, the barren womb, the earth that is not filled with water and the fire. Drawing on Talmudic sources, the poem explores the underlying meaning of this cryptic passage. Also, the poem "And to the Stranger" was inspired by a passage from the Kol Nidre prayer, which asks that atonement be granted even to the "stranger who lives among them, for all have transgressed unwittingly". The poem uses imagery and art to illuminate the hidden significance of the rituals of Yom Kippur. Although didactic poetry today is a forgotten art, the author believes that it still can serve an invaluable purpose when used to reveal the Tanakh as a true "Tree of Life" for those who hold on to it.
Other poems are simply inspired by Jewish Holy Scriptures and are not intended to serve any higher didactic purpose. For example, "A Higher Song" describes the passage of the seasons and was inspired by a passage from 1 Chronicles 16 describing the trees of the wood singing out at the presence of the Lord.
The second section of this book annotates each poem to show the scriptural underpinnings and allusions in each poem. Sandra Bowden's artwork and illuminated Hebrew text which accompanies the annotated poetry are intended to provide visual counterparts to the poetry, as well as an independent artistic exploration of the themes contained in this book.
About the Author: Harvard and Cornell-educated author Jeff Jinnett believes in the power of prose and art to inspire readers to take a personal journey of faith. An established author and public speaker in the field of law and technology, his first collaboration with an artist to create a religious work was the publication of his poem "Restaurant of the Soul" with the artwork of Kenji Yagi in the book entitled Restaurant of the Soul, under the art direction of Makoto Fujimura (Tokyo Broadcasting System - Britannica 1999) (see http: //www.makotofujimura.com). The author's most recent work is The Olive Tree in the Shadow of the Second Temple (SelfScape Press 2015).
Artist Edward Burne-Jones (1833- 1898) was a British pre-Raphaelite painter and illustrator associated with the William Morris decorative arts firm. Edward Burne-Jones first represented the "Days of Creation" in a series of stained-glass windows. The later paintings were placed in a massive frame designed by Burne-Jones. While on exhibit at Dunster House at Harvard University in 1970, the Fourth Angel was cut from the frame and has never been recovered. No color photographs had been taken. The fourth angel was restored by Christine Norstrand for a rendition in panel tiles by William Morris Tile. The restoration was based on Frederick Hollyer's black and white platinotypes and Oscar Wilde's description of the panel. For more information, see http: //www.williammorristile.com.
Artist Sandra Bowden is a pivotal artist whose works are exhibited in many leading art collections, including the Haifa Museum of Art in Israel. Her art and illuminated Hebrew text created over the past 40+ years includes a wide range of media, such as collagraph printing, collage and oil painting. For more information, see http: //www.sandrabowden.com and The Art of Sandra Bowden (ed., James Romaine) (Square Halo Books, Baltimore, MD 2005).
