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Singing Silence: (English)

Singing Silence: (English)

          
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About the Book

The binary of silence and noise has long marked writing about Rossini's life and compositional output. Rossini's music has often been construed as "noisy" for its sheer rhythmic force, Rossinian crescendos, and comic patter, while the composer's later career has been denigrated as "silent" for his refusal to compose any further operas after Guillaume Tell in 1829. Focusing on four opere serie that Rossini composed for Naples - Ermione, La donna del logo, Elisabetta regina d'Inghilterra, and Armida - my dissertation interprets silence and noise in Rossini from a different perspective. I explore how the elements Rossini encountered in the Neapolitan environment - different literary sources, practical time constraints, and one preeminent singer - impacted his compositional approach. Rather than listening for noise in Rossini's music, I examine moments in which Rossini composes operatic silence, and I explore how elements that have been seen as limiting factors - his self-borrowing and his relationship with the mezzo soprano Isabella Colbran - can shed light on his use of motives and repetition. The first half of my dissertation considers Rossini's use of conventional musical forms against the backdrop of other conventions - those of eighteenth-century opera, contrasting literary sources, and the composer's own habitual behaviors in the notation of his autograph manuscripts. The second half argues for a more performance-centered approach to analysis of Rossini's operas, one that considers the textual and musical richness that self-borrowings create and the interpretive possibilities that singers promote. Throughout, I treat Rossini's musical forms not as removed from social meaning, but rather as a vernacular that instructed his audience how to interpret different characters and plots. Instead of viewing these conventions as limiting formal constraints, I read them as potential expressive markers of a character's individuality and subjectivity. In this way, I seek to silence the critical noise surrounding Rossini's Neapolitan opere serie.


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Product Details
  • ISBN-13: 9781243770035
  • Publisher: Proquest, Umi Dissertation Publishing
  • Publisher Imprint: Proquest, Umi Dissertation Publishing
  • Height: 246 mm
  • No of Pages: 298
  • Series Title: English
  • Weight: 535 gr
  • ISBN-10: 1243770031
  • Publisher Date: 01 Sep 2011
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Spine Width: 16 mm
  • Width: 189 mm

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Singing Silence: (English)
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