Home > Art, Film & Photography > Music > Music: styles and genres > Art music, orchestral and formal music > Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)
42%
Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)

Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)

          
5
4
3
2
1

Available


Premium quality
Premium quality
Bookswagon upholds the quality by delivering untarnished books. Quality, services and satisfaction are everything for us!
Easy Return
Easy return
Not satisfied with this product! Keep it in original condition and packaging to avail easy return policy.
Certified product
Certified product
First impression is the last impression! Address the book’s certification page, ISBN, publisher’s name, copyright page and print quality.
Secure Checkout
Secure checkout
Security at its finest! Login, browse, purchase and pay, every step is safe and secured.
Money back guarantee
Money-back guarantee:
It’s all about customers! For any kind of bad experience with the product, get your actual amount back after returning the product.
On time delivery
On-time delivery
At your doorstep on time! Get this book delivered without any delay.
Quantity:
Add to Wishlist

About the Book

This volume explores the means and motives for the distribution of music during the Renaissance. Music in the fifteenth century was available almost exclusively through manuscript copies, while the introduction of the printing of polyphonic music at the beginning of the sixteenth century profoundly changed the circulation of music.The essays discuss both the technical side of the production of sources as well as their roles in the society in which they were produced and cover a wide range of issues including: the activities of scribes and the making of manuscripts; the role of politics in the transmission of repertories; the influence of patrons and collectors; the impact of music printing; the nature and effects of both multiple-impression and single-impression techniques; and the financial side of music printing. Taken together, these essays reveal the critical changes wrought by the transition from manuscript to print during this period.

Table of Contents:
Contents: Introduction; Part I Scribes and the Making of Manuscripts: Manuscript structure in the Dufay era, Charles Hamm; Simon Mellet, scribe of Cambrai cathedral, Liane Curtis; A contemporary perception of early 15th-century style: Bologna Q15 as a document of scribal editorial initiative, Margaret Bent; The origins of the Chigi Codex: the date, provenance, and original ownership of Rome, Biblioteca Vaticana, Chigiana, C.VIII.234, Herbert Kellman; Jean Michel, Maistre Jhan and a chorus of beasts: old light on some Ferrarese music manuscripts, Joshua Rifkin. Part II Sources, Politics and Transmission: European politics and the distribution of music in the early 15th century, Reinhard Strohm; A gift of madrigals and chansons: the Winchester Part Books and the courtship of Elizabeth I by Erik XIV of Sweden, Kristine K. Forney; Danish diplomacy and the dedication of Giardino novo II (1606) to King James I, Susan G. Lewis [Hammond]. Part III Sources and the Transmission of Repertory: The early Tudor court, the provinces and the Eton Choirbook, Magnus Williamson; Antwerp's role in the reception and dissemination of the madrigal in the North, Kristine K. Forney. Part IV Patrons and Collectors: The purpose of the gift: for display or for performance?, Stanley Boorman; Music in the library of Johannes Klein, Tom R. Ward; Music for the nuns of Verona: a story about MS DCCLXI of the Biblioteca Capitolare in Verona, Howard Mayer Brown; The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music, Donna G. Cardamone. Part V Music Printing: 1501-1528: The 500th anniversary of the first music printing: a history of patronage and taste in the early years, Stanley Boorman; The printing contract for the Libro primo de musica de la salamandra (Rome 1526), Bonnie J. Blackburn. Part VI Printing and Printing Houses after 1528: The Libro Primo of Constanzo Festa, James Haar; Twins, cousins, and heirs: relationships among editions of music printed in 16th-cen


Best Sellers


Product Details
  • ISBN-13: 9780754629290
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Routledge
  • Depth: 44
  • Height: 246 mm
  • No of Pages: 590
  • Series Title: A Library of Essays on Renaissance Music
  • Width: 174 mm
  • ISBN-10: 0754629295
  • Publisher Date: 28 Feb 2012
  • Binding: Hardback
  • Edition: New ed
  • Language: English
  • Returnable: N
  • Weight: 1260 gr


Similar Products

How would you rate your experience shopping for books on Bookswagon?

Add Photo
Add Photo

Customer Reviews

REVIEWS           
Click Here To Be The First to Review this Product
Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)
Taylor & Francis Ltd -
Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Sources and the Circulation of Renaissance Music: (A Library of Essays on Renaissance Music)

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book
    Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!
    ASK VIDYA