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Graphic novels: history & criticism

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Dragon Age: The World Of Thedas Volume 132 % NR
Publisher: Dark Horse Comics
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Sushio the Idol
By: Sushio
Publisher: Pie International
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Oxford Handbook of Comic Book Studies38 %
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Complete Calvin and Hobbes43 %
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The Marvel Book32 %
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Amazing Spider-Man32 %
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Marvel Avengers Ultimate Guide New Edition31 %
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Marvel Encyclopedia New Edition32 %
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Chhotu20 %
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Amazing Spider-Man30 %
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Black Panther20 %
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Marvel Myths and Legends18 %
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Batmobile Cutaways: The Movie Vehicles 1989-2012 Plus Collectible23 %
Publisher: Hero Collector
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Tintin And The Secret Of Literature31 %
Publisher: Granta Books
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Marvel Year By Year A Visual History New Edition32 %
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Cartoon Introduction to Philosophy42 %
Publisher: Hill & Wang
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Cartoon History of the Modern World Part 139 %
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Cartoon Guide to Genetics42 %
Publisher: Collins Reference
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Maus Now31 %
Publisher: Penguin Books Ltd
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Cartoon History of the Modern World, Part II23 %
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Best History & Criticism Graphic Novels

  • Joseph Addison wrote the play Cato, a Tragedy in 1712, and it was shown for the first time on April 14, 1713. It is based on the events of Marcus Porcius Cato Uticensis, often known as Cato the Younger, who lived from 95 to 46 BC and was a Stoic whose actions, speeches, and resistance to Julius Caesar's dictatorship made him an image of republicanism, virtue, and liberty. Themes covered in Addison's play include individual liberty vs tyranny by the government, republicanism versus monarchy, reason versus passion, and Cato's internal fight to uphold his principles in the face of death. Alexander Pope wrote the play's prologue, and Samuel Garth wrote the epilogue. The original cast included Barton Booth as Cato, Theophilus Keene as Lucius, John Mills as Sempronius, Robert Wilks as Juba, Colley Cibber as Syphax, George Powell as Portius, Lacy Ryan as Marcus, John Bowman as Decius, Anne Oldfield as Marcia, and Mary Porter as Lucia. For numerous generations, the play's appeal grew, particularly in the American colonies. Indeed, since many of the Founding Fathers were familiar with it, it was very certainly a literary inspiration for the American Revolution.
  • Under the pseudonym George Eliot, Mary Ann Evans wrote the novel Daniel Deronda, which was first released in eight parts (books) from February to September 1876. It was the only book she ever finished that was set in her era's Victorian society. One of the most known Victorian novelists' contentious final work is a controversial combination of social satire, moral reflection, and sympathetic representation of Jewish proto-Zionist views. The novel has been adapted three times for the screen: twice for motion pictures and once for television. Additionally, it has been adapted for the stage, most famously by the 69 Theatre Company in Manchester in the 1960s, which starred Vanessa Redgrave as the lead character Gwendolen Harleth. Although the "tale of Gwendolen'' has been called "one of the classics of English fiction," the portion of the narrative involving Daniel Deronda has been called "flat and unconvincing." Nevertheless, Zionism has been greatly influenced by Daniel's tale. In 1948, F. R. Leavis argued that the Jewish sections of The Great Tradition were its weakest and that a truncated version called Gwendolen Harleth should be printed on its own. Some Zionist commentators have advocated the opposite truncation, keeping the Jewish section, but with Gwendole's story omitted.
  • England, My England is a collection of short stories published by D. H. Lawrence. Between 1913 and 1921, various pieces were initially written, many of them against the backdrop of World War I. Most of these versions were printed in periodicals or newspapers. Later, Lawrence chose ten and thoroughly rewrote them for the book England, My England. Thomas Seltzer in the US released this on October 24th, 1922. Martin Secker released the first UK edition in 1924. An Englishwoman is left with her husband's parents while he is away at war. She receives a letter addressed to her husband from his mistress. The translator leaves out that the woman and her child are coming to England, and tells him also what he told the man's wife. A young boy is adopted by a family that is without any male children. The boy, now a young man, visits the patriarch of the family when war breaks out. He asks the father for the daughter's hand in marriage, even though she is old enough to be his mother. Samson and Delilah tell the story of a woman whose husband abandoned her and her newborn child to go mining for gold.
  • Henry James' novel Madame de Mauves was first presented in The Galaxy Magazine in 1874. The story is mainly written from the perspective of a male friend of the wife and revolves around the unhappy marriage of a meticulous American wife and a far-from-scrupulous French husband. The story illustrates James' passionate interest in the "international subject,", especially at the beginning of his career. The smoothly delivered tale, one of the longest fictions he had ever tried, demonstrates how quickly James was developing his style and technique. The Comte Richard de Mauves' wife Euphemia is married to an unscrupulous and dissipated man who married his wife for her money alone. The Comte wishes her to take a lover so that he may pursue his own affair and tries to sublimate his love for her into friendship. Madame de Mauves has a very high opinion of Longmore and wants him to leave her alone. Longmore agonizes over whether or not to continue his daily visits. She asks him to break off contact, and that he does so simply because it is the honorable thing to do.
  • This book ''Mark Twain's Speeches'' is a combined context of various speeches by Mark Twain. Mark Twain was one of the most well-known public speakers of his time and was frequently called to give speeches to mark key anniversaries, public holidays, school graduations, banquets for dignitaries, and occasions hosted by charities, reform movements, and the like. This extensive collection of lectures, which spans more than four decades and was published a few months after Mark Twain's passing, reflects the breadth of his interests. Here are speeches about copyright law expansion, cigars and pools, and women's rights. In addition to being funny in and of themselves, the occasional pieces, banquet toasts, and introductions in it offer many aspects. Some of Twain's most controversial and audacious speeches are also included, including "The Babies," which closes with a memorable image of the guest of honor: a young Ulysses S. Grant attempted to put his toe in his mouth, and the infamous "Whittier Birthday" Speech, in which he made fun of three literary giants of New England to the horror of his audience.
  • The Finer Grain : This literary collection of short stories makes an effort to gather many of the timeless classics that have endured the test of time into one appealing volume and offer them so that everyone can take advantage of them, at a reduced, affordable price. This book has been valued throughout human history, and in order to ensure that it is never lost, we have taken steps to ensure its preservation by republishing it in a contemporary manner for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear. The Velvet Glove, Mora Montravers, a Round of Visits, Crapy Cornelia, and The Bench of Desolation are among the final tales by Henry James collected in The Finer Grain. James wrote some of his best-known works in his later years, including his autobiography A Small Boy and Others and Notes of a Son and Brother as well as The ambassadors where he mentioned failure to enjoy such as The turn of the screw, which gives a message to protect children from evil eyes, and The Wings of the Dove in which cultural clashes have occurred.
  • Henry James wrote a book titled The Outcry in 1911. It was once intended to be a play. His final work, The Outcry, was finished just before he passed away in 1916. The plot centers on affluent Americans purchasing priceless works of art from Britain. The widower Lord Theign intends to sell American millionaire Breckenridge Bender his exquisite painting Duchess of Waterbridge by Sir Joshua Reynolds to pay off the gambling debts of his daughter Kitty Imber. Young art critic Hugh Crimble opposes the sale, saying that Britain's priceless works of art should remain in the nation. Lady Grace, Theign's astute daughter, lends him encouragement. When word of the Reynolds' impending sale reaches the media, a patriotic uproar erupts, much to Bender's delight. Crimble, meantime, has discovered another artwork in Theign's collection that he believes to be a Mantovano rare. (James believed this artist to be a fabrication; nevertheless, it was later discovered that a little-known painter by that name actually existed.) Crimble's suspicion on the Mantovano eventually proves to be accurate. Theign decides not to sell the Reynolds to Bender and instead chooses to gift the Mantovano to the National Gallery. His friend Lady Sandgate joins forces with Theign by giving her family's Sir Thomas Lawrence artwork to the Gallery.
  • The Patagonia : The August night was dark, and Beacon Street, with its double chain of lighting, appeared to be a foreshortened desert. Because "everyone" was out of town, it's possible that the servants were profaning the tables in their excess of leisure. A leisurely passage-which at that time of year would probably also be a lovely one-was a guarantee of ten to twelve days of fresh air because America was sweltering and England would very well be stuffy. It was also clear that one was old and the other was young, and that their differences did not preclude them from becoming mother and daughter. One of the guests in Mrs. Nettlepoint's home described how "low" Mr. Mavis Porterfield had been; the other, a young girl, was too upset by the thought of being left alone with her frail, maybe terminally ill father to care for him. The Patagonia was slow but spacious and comfortable, and there was motherly decency in her long nursing rock and her rustling old-fashioned gait. It seems as though she didn't want to arrive in port with the splashing enthusiasm of a youthful creature.
  • The Reverberator : The elderly guy opened the door to the little salon de lecture and remarked, "I guess my daughter is in here." When George Flack discovered Mr. Dosson sitting on the hotel's court, he asked him where Miss Francina was. There were indistinct prostrations on seats of exhausted heads of American families, flittings of tray-bearing waiters and unheeded bells, discussions with landladies and sayings-fourth of admonitory landlady. Mr. Flack visited every day for the next month to lead them in the correct direction, pointing out its benefits in a way that made them realize how greatly they had erred. He had accepted from the beginning the notion that she was his enemy, and he made this point frequently enough to become grating. However, he purposefully kept quiet because he didn't want to attract any attention from strangers. While Francie gave the two guys coffee, he was smoking cigarettes with a buddy, which she found to be extremely nice. She had the same effect on the man who was with him and who never looked away from her as she continued to work on a number of completed and incomplete paintings. The night they accompanied Mr. Probert to the circus, Delia had erupted; she had apostrophized Francie while they were each sitting on red-damask chairs in their own rooms.
  • Far Away and Long Ago : The author's boyhood in the Argentine pampas is chronicled in this book. The children in his family were warm and affectionate, and because they received their early education at home, they had lots of freedom to explore the natural environment around them. He had a keen eye for observation of birds and other animals because of his early love of the natural world. As he claims that many of the magnificent natural locations he knew as a boy are now permanently lost due to the expansion of agriculture, an elegiac tone is set. Despite the fact that this book was written 100 years ago, the author's views about the elimination of natural places still hold true today. An intriguing autobiography from 1918 describes a boy's childhood in the pampas (plains) of Argentina. The boy never loses his love for nature and eventually comes to have a mystical connection to it, despite engaging in all the cruel things young boys do while growing up in a remote area with older brothers. This book is the author's memoir from his time spent working in the fields of Argentina.

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