Showing results for publisher "institute of mediaeval music"

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1.
Cw 10 Notre-Dame and Related Conductus. Part 6. 1-Part Conductus Transmitted in Fascicule X of the Florence Manuscript. Transcribed and Edited by Gordon Athol Anderson.
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3.
MS 27 the Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G. XIII.27). Part 2. Transcriptions. by Allan Atlas.
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Mtt 11 Mignot de la Voye (D. 1684), Treatise on Music (Traite´ de la Musique), Paris 1656. Translated and Edited by Albion Gruber
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6.
Cw 8 Johannes Galliculus (Handl, Hennel, Hähnel) (Ca. 1490-Ca. 1550). Complete Works. Vol. 1. 3 Masses. Edited by Arthur A. Moorefield.
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7.
MS 40 the Style and Evolution of the Earliest Motets (to Circa 1270). Volume I: Text. by Hans Tischler.
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8.
Cw 4 Antonio de Cabezón (1510-1566), Collected Works. Vol. 2. 27 Tientos. Edited by Charles Jacobs.
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11.
MS 40 the Style and Evolution of the Earliest Motets (to Circa 1270). Volume III: Catalogue Raisonné, Part B. by Hans Tischler.
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12.
Cw 4 Antonio de Cabezón (1510-1566), Collected Works. Vol. 3. Versos Y Fugas. Edited by Charles Jacobs.
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14.
MS 40 the Style and Evolution of the Earliest Motets (to Circa 1270). Volume III: Catalogue Raisonné, Part A. by Hans Tischler.
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15.
Cw 4 Antonio de Cabezón (1510-1566), Collected Works. Vol. 5. Intabulations and Opera Incerta. Edited by Charles Jacobs.
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17.
MS 40 the Style and Evolution of the Earliest Motets (to Circa 1270). Volume II: Tabular Surveys. by Hans Tischler.
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18.
MS 24 the Latin Compositions in Fascicules 7 and 8 of the Notre Dame Manuscript Wolfenbu]ttel Helmstadt 1099 (1206). Part I. Critical Commentary, Translation of the Texts, and Historical Observations. by Gordon Athol Anderson.
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