2%
The Simon and Schuster Short Prose Reader

The Simon and Schuster Short Prose Reader

          
5
4
3
2
1

Out of Stock


Premium quality
Premium quality
Bookswagon upholds the quality by delivering untarnished books. Quality, services and satisfaction are everything for us!
Easy Return
Easy return
Not satisfied with this product! Keep it in original condition and packaging to avail easy return policy.
Certified product
Certified product
First impression is the last impression! Address the book’s certification page, ISBN, publisher’s name, copyright page and print quality.
Secure Checkout
Secure checkout
Security at its finest! Login, browse, purchase and pay, every step is safe and secured.
Money back guarantee
Money-back guarantee:
It’s all about customers! For any kind of bad experience with the product, get your actual amount back after returning the product.
On time delivery
On-time delivery
At your doorstep on time! Get this book delivered without any delay.
Notify me when this book is in stock
Add to Wishlist

About the Book

Simon and Schuster Short Prose Reader combines high-interest reading material with creative, principled writing instruction. Short, high-interest readings provide ideas for writing, suggest ways to approach a topic, and illustrate strategies for organizing and presenting information. Each essay is accompanied by questions and assignments that guide students in analyzing what they have read and in composing their own essays.

Table of Contents:
Thematic Contents Editing Skills: Contents Preface   Chapter 1: ACTIVE READING             Learning to Be an Active Reader             Keeping a Journal             Previewing the Reading             A First Reading             Staying Aware of Conventions             A Sample Essay: Bob Greene, “Handled with Care”             Marking the Text             Clarifying Meaning             Making Inferences and Associations             Writing to Understand and Respond   Chapter 2: THE READING-WRITING CONNECTION             Writing in Response to Reading             Building an Essay             Sample Student Essay: Tara Coburn, "Someone to Help"             Resources for Writers on the Internet             Responding to a Reading             Russell Baker, "Learning to Write"             Suggestions for Writing   Chapter 3: STRATEGIES FOR CONVEYING IDEAS: NARRATION AND DESCRIPTION             Images and Ideas             The Point of Narration and Description             The Principles of Narration and Description             The Pitfalls of Narration and Description             What to Look For in Narration and Description             Evan Thomas, “Rain of Fire”             Mike Royko, “Jackie’s Debut: A Unique Day”             William Recktenwald, “A Guard’s First Night on the Job”   (Combining Strategies)             Jack Lewis, “Road Work”             Kelly Berlin (student), “Domestic Abuse”   Chapter 4: STRATEGIES FOR MAKING A POINT: EXAMPLE AND ILLUSTRATION             Images and Ideas             The Point of Example and Illustration             The Principles of Example and Illustration             The Pitfalls of Example and Illustration             What to Look For in Example and Illustration             Elizabeth Berg, “My Heroes”             Brent Staples, “`Just Walk On By’: A Black Man Ponders His Power to Alter Public Space”             Daniel R.  Meier, “One Man’s Kids”             Tim Jones, “The Working Poor”    (Combining Strategies)             David C. Lair (student), “My Key Chain”   Chapter 5: STRATEGIES FOR CLARIFYING MEANING: DEFINITION AND EXPLANATION             Images and Ideas             The Point of Definition and Explanation             The Principles of Definition and Explanation             The Pitfalls of Definition and Explanation             What to Look For in Definitions and Explanations             Gloria Naylor, “`Mommy, What Does “Nigger” Mean?’”             Isaac Asimov, “What Is Intelligence, Anyway?”     (Combining Strategies)             Wayson Choy, “I’m a Banana and Proud of It”             Lilly Gonzalez, “Viva Spanglish!”             Kerri Mauger (student), “Nothing to Be Scared Of ”   Chapter 6: STRATEGIES FOR SORTING IDEAS: CLASSIFICATION AND DIVISION             Images and Ideas             The Point of Classification and Division             The Principles of Classification and Division             The Pitfalls of Classification and Division             What to Look For in a Classification             Judith Viorst, “Friends, Good Friends—and Such Good Friends”  (Combining Strategies)             Franklin Zimring, “Confessions of an Ex-Smoker”             David Elkind, “Types of Stress for Young People”             Juleyka Lantigua, “The Latino Show”             Bobby Lincoln (student), “Contemplating Homicide at the Mall”   Chapter 7: STRATEGIES FOR EXAMINING TWO SUBJECTS: COMPARISON AND CONTRAST             Images and Ideas             The Point of Comparison and Contrast             The Principles of Comparison and Contrast             The Pitfalls of Comparison and Contrast             What to Look For in Comparison and Contrast             Mark Twain, “Two Views of the Mississippi”             Suzanne Britt, “Neat People vs. Sloppy People”    (Combining Strategies)             Brendan O’Shaughnessy, “A Whole New Ballgame”             Kathy Seal, “The Trouble with Talent: Are We Born Smart or Do We Get Smart?”             Lynn Cooper (student), “Watching from All Sides”   Chapter 8: STRATEGIES FOR EXPLAINING HOW THINGS WORK: PROCESS AND DIRECTIONS             Images and Ideas             The Point of Writing about Process and Directions             The Principles of Process and Directions             The Pitfalls of Process and Directions             What to Look For in Process and Directions             Carol Fleischman, “Shopping Can Be a Challenge”              (Combining Strategies)             Garrison Keillor, “How to Write a Personal Letter”             Emily Nelson, “Making Fake Flakes”             Steve Daly, “Change Agent: How Baker Pulled Off the `Werewolf’ Metamorphosis”             Ann Moroney (student), “A Graceful Stride”   Chapter 9: STRATEGIES FOR ANALYZING WHY THINGS HAPPEN: CAUSE AND EFFECT             Ideas and Images             The Point of Cause-and-Effect Writing             The Principles of Cause-and-Effect Writing             The Pitfalls of Cause-and-Effect Writing             What to Look For in Cause-and-Effect Writing             Ellen Ullman, “The Boss in the Machine”             Stephen King, “Why We Crave Horror Movies”      (Combining Strategies)             Jade Snow Wong, “Fifth Chinese Daughter”             Greg Critser, “Supersize Me”             Brian L. Carter (student), “Almost a Winner”   Chapter 10: STRATEGIES FOR INFLUENCING OTHERS: ARGUMENT AND PERSUASION             Images and Ideas             The Point of Argument and Persuasion             The Principles of Argument and Persuasion             The Elements of Good Argument             A Sample Annotated Argument:  Stephanie Pescitelli (student), “Misunderstood Medicine”             What to Look For in Argument and Persuasion             Debate: Do Same-Sex Couples Make Good Parents?          James C. Dobson, “Two Mommies Is One Too Many”          Jeff Pearlman, “Mom’s the Word”             Debate: Is Violent Media Harmful to Children and Adolescents?                   Gerard Jones, “Violent Media Is Good for Kids”          John Leo, “When Life Imitates Video”          Perspectives on Immigration to the United States          “American Public Opinion” (graph)             Robert J. Samuelson, “We Don’t Need `Guest Workers’ ”             “Enforcement” (graph)             Arnold Schwarzenegger, “Next Step for Immigration”             “Where They Work” (graph)             Anna Qunidlen, “We Are All Immigrants”             Wasserman, “The Congressman Checks in Back Home” (cartoon)             Chapter 11: COMBINING STRATEGIES: FURTHER READINGS             David G. Myers, “Do We Fear the Right Things?”             Langston Hughes, “Salvation”             Judith Ortiz Cofer, “More Room”             Barbara Huttmann, “A Crime of Compassion”   Appendix: WRITING WITH SOURCES             Using Sources in Your Writing             Locating Sources             Evaluating Sources             Working with Sources             Writing a First Draft             Avoiding Plagiarism             Documenting Your Sources: MLA Style             Sample student essay with sources: Brian L. Carter, “People, Pigeons, and Payoffs”   Credits Index      


Best Sellers


Product Details
  • ISBN-13: 9780136014553
  • Publisher: Pearson Education (US)
  • Publisher Imprint: Pearson
  • Depth: 19
  • Height: 229 mm
  • No of Pages: 416
  • Series Title: English
  • Weight: 449 gr
  • ISBN-10: 0136014550
  • Publisher Date: 13 Mar 2008
  • Binding: Paperback
  • Edition: 5 Rev ed
  • Language: English
  • Returnable: Y
  • Spine Width: 14 mm
  • Width: 152 mm


Similar Products

How would you rate your experience shopping for books on Bookswagon?

Add Photo
Add Photo

Customer Reviews

REVIEWS           
Click Here To Be The First to Review this Product
The Simon and Schuster Short Prose Reader
Pearson Education (US) -
The Simon and Schuster Short Prose Reader
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

The Simon and Schuster Short Prose Reader

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book
    Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!
    ASK VIDYA